A documentary that follows three brothers as they discover the scenes of late-night New Orleans.

The life and career of Muhammad Ali (1942- ) as seen chronologically in archival footage: Ali as a fighter, a personality, a political lightening rod, and a man. Boxers who fought him describe what led up to major fights and the matches themselves; they also offer personal revelations about their own lives: George Chuvalo's family losses, George Foreman's conversion, Ken Norton's gratitude, Ron Lyle's teaching, Earnie Shaver's encounter with the Klan, and Joe Frazier's good humor pack their own punch. The fighters talk about Ali's quickness, cunning, and recuperative powers - and how fighting him changed their lives.

This experimental film looks at the world and more specifically the effect man has had on the landscape and the environment. Without narration, the film shows the world in a pristine condition and untouched: blue skies, beautiful landscapes and endless vistas. The man-made world is much less appealing. Essentially a montage using a variety of film techniques to provide a visually stunning montage of images.

The members of Led Zeppelin are called back from vacation by manager Peter Grant to play Madison Square Garden. The film is enhanced by each of the band member's personal fantasies (hallucinations?), such as the opening scene (which is awfully confusing the first time around) in which Peter Grant, dressed in a 1930s black gangster suit drives a 1930s black Ford to a house and blasts everyone with a machine gun.